The aesthetic of The Haunting of Hill House makes it work not only as horror TV, but also as a deft adaptation of Shirley Jackson’s classic novel. Stars: Henry Thomas, Michiel Huisman, Carla Gugino, Elizabeth Reaser, Oliver Jackson-Cohen, Kate Siegel, Victoria Pedretti But Weeks is equally invested in making his viewers leap out of their skins. Weekes is deeply invested in Bol and Rial as people, in where they come from, what led them to leave, and most of all what they did to leave.
PG 13 HALLOWEEN MOVIES ON NETFLIX MOVIE
Ultimately, this is a movie about the inescapable innate grief of immigrant stories, a companion piece to contemporary independent cinema like Jonas Carpignano’s Mediterranea, which captures the dangers facing immigrants on the road and at their destinations with brutal neorealist clarity. The film begins with a tragedy, and within 10 minutes of that opening handily out-grudges The Grudge by leaving ghosts strewn on the floor and across the stairs where his protagonists can trip over them. Remi Weekes’ His House doesn’t screw around. Movies can scare audiences in a variety of ways, of course, but the very least a horror movie can be is scary instead of screwing around. Nothing sucks the energy out of horror than movies that withhold on horror. Stars: Wunmi Mosaku, Sope Dirisu, Matt Smith
He is, like Psycho itself, one of a kind. Put another way, it’s a great film, one that’s as effective today as it is authoritative: You’ve never met a slasher (proto-slasher, really) like Norman Bates (Anthony Perkins), and no matter how many times the movies try to replicate his persona on screen, they’ll never get it quite right. That’s pretty much the dictionary definition of impact right there (and all without even a single mention of A&E’s Bates Motel).īut now we’re talking about Psycho as a curio rather than as a film, and the truth is that Psycho’s impact is the direct consequence of Hitchcock’s mastery as a filmmaker and as a storyteller. Five decades and change is a long time for a movie’s influence to continue reverberating throughout popular culture, but here we are, watching main characters lose their heads in Game of Thrones, their innards in The Walking Dead, or their lives, in less flowery language, in films like Alien, the Alien rip-off Life, and maybe most importantly Scream, the movie that is to contemporary horror what Psycho was to genre movies (and to the movies in total) in its day. 57 years after Alfred Hitchcock unleashed Psycho on an unsuspecting moviegoing culture, finding new things to say about it feels like a fool’s errand, but hey: We’re fools. The biggest one, perhaps, though if not, it’s still pretty goddamn big. Stars: Anthony Perkins, Janet Leigh, Vera Miles, Martin Balsam, John Gavin The best horror movies streaming on Shudder. The best horror movies streaming on Hulu. The best horror movies streaming on Amazon Prime. You may also want to consult the following horror-centric lists: The highest-ranked films are obviously essentials. The lowest-ranked films are of the “fun-bad” variety-flawed, but easily enjoyable for one reason or another. We invite you to use this list as a guide. They’re not technically movies, but they’re impossible to leave off this list. Don’t expect to find many franchise staples in the mold of Halloween or Friday the 13th, but don’t sleep on The Haunting of Hill House, Cabinet of Curiosities or Midnight Mass, either. Still, there are quality films to be found here, typically of the modern variety, from classics like Psycho, to comedies like The Babysitter, to more obscure (and disturbing) titles such as Creep, Apostle or newer films like His House and the Fear Street trilogy. All of those films are now gone-usually replaced by low-budget, direct-to-VOD films with suspiciously similar one-word titles, like Demonic, Desolate and Incarnate.
At various points in the last year, for instance, Netflix could boast The Shining, Scream, Jaws, The Silence of the Lambs or Young Frankenstein, along with recent indie greats like The Witch, The Descent or The Babadook.
As competing services, and especially genre-specific ones such as Shudder, continue to expand their horror movie collections, it’s harder and harder for Netflix to project any sense of comprehensiveness, and its library becomes more static and reliant upon Netflix Originals on a monthly basis. Assessing the quality of offerings available from Netflix in 2023, it quickly becomes clear that their horror library is a real mixed bag.
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